Dumping from my phone to see how the galleries play on mobile
- No gallery
- Vertical essay style
- Can’t insert space between images
- Can’t tell order from app to display by time
During the 1870s many people in the Southeast rejected the Victorian era idea of art reinforcing social values and celebrated art for the beauty. This cultural shift from 1870-1900 became known as the Aesthetic Movement. At the peak of the Aesthetic Movement a wealthy businessman purchased an 11 acre former college which burned to the ground during the Civil War. In 1883 he built the 5,000 square foot Smoke House.
The 5 bedroom 2 bath home’s foundation was set on top of the foundation of the burned college. Local newspapers regarded the Smoke House as one of the most elegant country homes in the state.
Each of the 8 main rooms featured 14 foot ceilings and a working fireplace. Walnut built in cabinets and wainscoting compliment the first floor.
The solid walnut doors slide open to reveal the library.
In 1905 the Smoke House was sold. The second owner updated the color scheme…
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As I was shooting today I actually began to feel terribly frustrated. How to make a new image of a traditional, annual display?
And then I began to reflect on my inclination towards masses of color, painterly notions of late. Pair this with an inclination to high contrast…and the whole thing made me wonder about how to pair what I started the day thinking were opposing tendencies. That is historically, I’m a people photographer but lately looking at landscapes (defined very loosely) and the fields of color and texture. You can check out the paintings of Richard Bruce if you like for one example.
If it helps at all, I love Ad Reinhardt.
Then looking at a video of Florence and…
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this is a tight picture.
Last fall, I flew from Louisville, Ky. to Chicago Midway for a business trip. It was a cloudless flight, but it had snowed north of Indianapolis, so we were treated to a very cool view of the transitioning landscape below as it went from patchwork green to sun-glare reflections and powder white.
They’re not the best photos, being from the cell phone and dealing with the sun and the reflections and all, but I really like the way several of them came out, and I’m always kind of enthralled by the way hills and river valleys look from the air.
When we landed at Midway, I lucked into a shot with the Sears Tower (yes, I still call it that) as a vanishing point for shadows and runway guides:
It doesn’t get much better than this. Unless it’s winter. And you’re into it. Two weeks a year, is my bet, Chicago has weather this pleasant. Sunny fall days and windbreaker nights. I mean, this is August when it could, and maybe should be, sweltering. If I ride early enough, I can make it to work without really sweating. A surprise sprinkle would really round it out. I’ll try to take and post some new pictures using Flock, which I learned about this weekend from Walter Mossberg‘s piece in Saturday’s Chicago Sun-Times. I was able to organize several emails accounts, Facebook, WordPress, flickr, and YouTube, I think, together. It could help in developing a solid workflow that takes into account both my Mac and PC, prepares pictures for archives and smaller samples for those multiple sites. I haven’t played with the news aggregators, yet. Got way distracted with Flock’s Media Bar. It’s thorough. I’m looking forward to how well it plays with C-SPAN. Not sure if it’s portable, should be. Will soon find out.
And now for the goods.
See you out there.
While I understand the need for heads of state to attend the Olympics, watching Bush through NBC coverage had me asking questions. Perhaps he could appear to be having less fun? We are in the middle of a war(s).
This photo says a lot.